Monday, July 26, 2010

Inception


Dom Cobb (Leonardo Dicaprio) is the leader of a crack team of thieves. Using the latest military-grade technology they can extract your deepest, darkest secrets directly from your mind. How? Abduction, sedation, and infiltration of your dreams. When a job goes awry, to save their bacon Cobb's team is forced to accept the impossible job. Instead of extracting secrets from someone's subconscious, they have to perform inception, the act of implanting an idea in someone's mind. The difficulty being that the target has to believe that it was their own idea.

That's a general summary of the plot of "Inception", but to say that's all the movie is about would be a gross understatement. Equal parts heist movie, Bond homage, and philosophical dissertation, it is the latest masterwork from the mind of Christopher Nolan ("Memento", "The Prestige", "The Dark Knight"). One of the more interesting aspects of the film is the well-thought out set of rules that explains how dreams are structured and function. I'm not going to list them all here, but in short, there can be multiple nested layers of dreams and it's easy for the dreamer to lose sight of where or what reality is. In order to leave the dream, one must either receive a "kick", the sensation of falling that I'm sure everyone of you has felt that snaps you out of your sleep, or be killed. Your dream can be populated by anyone you want, but unless it's someone that has joined you in a shared dream, they're really just aspects of your own subconscious.

Cobb's dreams are constantly troubled by the presence of his wife (Marion Cotillard - "La vie en rose", "Nine"). It's not really her, as something has happened in reality that keeps her from being part of Cobb's life, but rather an aspect that Cobb inadvertantly brings with him into the dreams. Never nice, she does everything she can to foil the task at hand. What has really happened between her and Cobb is one of the questions left for the viewer to decipher the answer to.

At its core, "Inception" explores some of the most basic philosophical questions about the nature of perception and reality. At times it's difficult to tell if what we're watching is "reality" or one of Cobb's (or his team's) dreams. In the end, it doesn't really matter as we're left to think about our own lives and how the baggage we carry around colors our own experience.

You can even extend the model the movie presents to questions beyond its immediate scope. If you're killed in a dream, you escape back to reality. What happens when we die in reality? Is there some higher order of reality that we escape to? Is this what we perceive as the afterlife? Any movie that can continue to percolate in the viewer's mind weeks after they've seen it is good in my book. I highly recommend that you check it out.

Note: If you see this, please do so with curbed expectations and you'll probably enjoy it more. There's a lot of hype surrounding this movie, so much so that it's currently ranked #3 all time on IMDB. It's definitely good, but it's certainly not that good.

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