Thursday, January 15, 2026

Victor Horton's Idea, Ch. 1

VICTOR HORTON’S IDEA.

BY EDWARD STRATEMEYER.

CHAPTER I.
GREAT NEWS.

It was indeed great news for the Belmont boys. A real city show, and a double one, too, was to give an exhibition at the town hall.

These wonderful tidings had been circulated by means of the following poster, conspicuously displayed throughout the neighborhood:

COMING! COMING! COMING!

ZWINGO’S WORLD-FAMOUS UNCLE TOM’S CABIN
AND HUMPTY DUMPTY PANTOMIME TROOP.

The strongest combination extant! Two distinct companies in one grand double bill of unapproachable excellence! The savage, untamed Siberian bloodhound Leo! The comical donkey Wisdom! The favorite South Carolina Jubilee Shouters! The greatest of all great Clowns, Tim Dicks! The Royal Gold Cornet Band!

BELMONT HALL, Monday, November 3.

Admission, 25 cents. Reserved seats extra. Doors open at 7 P.M. Performance at 8.
N.B.—Don’t fail to hear the open-air concert before the opening of the doors.

No wonder that the feelings of the young folks were stirred to their deepest depths. Outside of the annual school exhibitions during holiday week, no shows had occurred for full three years. And this—this was to be so grand and immense! Oh, but wasn’t it just “boss!” Half the boys hugged themselves thinking about it.

Among the number was Victor Horton, the son of a prosperous farmer, whose broad acres lay a mile from the township centre.

Victor was fifteen years old, naturally bright and lively, and if he had not held so high an opinion of himself, he would have been a first-rate lad.

Besides being conceited, Victor was dissatisfied with the quietness of country life. He longed to go forth into the great world and achieve fame and fortune.

Now, though this idea is often a very laudable one, it was not so in the present instance. Victor’s idea upon the subject had been gathered wholly from the pages of numerous dime novels and disreputable story-papers loaned him by his particular crony, Sam Wilson, and was, therefore, of a deceptive and unsubstantial nature, and likely to do more harm than good.

But Victor was not aware of this, and it is quite probable that he would not have believed it, had he been told. It is my purpose to relate what his idea led to, and how the complicated affair terminated.

It was early morning of the day upon which the exhibition was to be given. Victor stood in a crowd of boys, waiting for Mr. Walner, the schoolmaster, to arrive and open school.

“Tell you what, boys,” Sam Wilson was saying, as he held up one of the show-bills, “my idea is that it’s rattling good, and no mistake.”

“I believe you,” agreed Billy Parsons, “and you can just bet I won’t miss it, either.”

These remarks worried Victor. The truth was that though he had set his heart upon going, he was by no means sure of gaining the required permission.

Mr. Horton was a strict man. He had begun life poor, and now, when the fruits of labor were accumulated around him, he did not believe in allowing money to slip away too easily. He was not close-fisted, only economical—a habit which his only son sadly misconstrued as a mere restraint upon personal liberty.

“Of course you will go, Vic?” continued Sam.

His “of course” meant a good deal to Victor. It was taken for granted, then, that he would go, and so it would never do to admit that permission must first be obtained.

“Oh, of course,” he replied, loftily.

“Then stop at my house at half-past six, and we’ll go together,” said his crony. “We want to hear the open-air concert, you know.”

Victor began to feel uneasy. He had not yet had the courage to ask his father if he could go, and now, if he was refused, what would the other boys say? Public opinion is often hard to endure.

While Victor was turning this matter over in his mind, and heartily wishing that he could do as he pleased, the tall form of Mr. Walner appeared and school was opened for the day.

It must be confessed that nearly all the lessons that morning progressed slowly. The announcement of the show was too much for the average pupil, and many ridiculous answers were returned to the kind old pedagogue’s questions.

The class in arithmetic was soon called.

“Wilson,” said Mr. Walner, thinking to interest Sam, who was unusually dull in figures, “if tickets for that show at the town hall are worth twenty-five cents, and reserves are worth double, which cost the most—nine tickets and five reserves, or seven tickets and eight reserves?”

“Reserves are not worth double,” replied Sam, promptly. “They are only thirty-five cents.”

The schoolmaster bit his lips in vexation.

At this instant a clatter was heard outside, and a second later came a sharp rap on the door.

“Harrison, see who is there,” said Mr. Walner, with an inquiring look upon his face.

The pupil addressed did so, and admitted the railroad station boy.

“A message for you, Mr. Walner,” he said, and delivered it.

The schoolmaster tore open the envelope with a nervous hand. It was the first telegram that he had received in many years.

As he read its contents, his face blanched considerably, and he pressed his hand to his forehead in painful thought, from which he was aroused by the boy asking if any answer was to be sent.

“No,” replied Mr. Walner.

And, after having his receipt-book signed, the boy departed.

The schoolmaster sat thinking for several moments after he was gone, and then arose and addressed his pupils.

“I wish to say to you that I have just received notice to come to New York at once. It is even necessary that I take the next train.” He glanced at the clock. “School is dismissed for the day. I cannot tell how long I shall be gone, but if I am not back by to-morrow, a proper person will take my place. You may go.”

The scholars needed no second bidding. Gathering up their books, they left the building at once.

When all were gone, Mr. Walner locked the door and hurried away as fast as his aged legs would permit.

His sudden departure was the subject of much comment among the boys. It was a most unusual occurrence, for which no one could give an adequate reason.

“Wonder what was in the telegram?” said Sam.

“Must have been important,” replied Victor. “He looked kind of pale when he read it, didn’t he?”

“Won’t Squire Green be mad when he hears of it?” remarked another boy.

For Squire Green, the head of the school committee men, was very particular in all transactions, and disliked anything out of the ordinary.

“Anyway, it gives us a holiday, and I’m in for making the most of it,” broke in Harrison. “Get your sticks, boys, and let’s have a game of shinny.”

This proposal met with instant favor. Nearly all got their sticks, and soon the cry of “Shinny on your own side!” arose on the morning air.

Victor did not stop to take part. He liked the game well enough, but his mind was on a certain paper-covered book, hidden away in the pocket of his jacket, and he started off for some place where he might continue its perusal.

“Hi, Vic, where are you going?” called Sam, running up.

“To the den,” replied Victor. “I want to finish this story.”

“Oh! I thought you were going home. Ain’t it just splendid?” he continued, referring to the book.

“You bet! Got any more like it?”

“Yes. Got this last night—‘Dakota Dick, the Red Rifle of the Rockies.’ Oh, but ain’t it immense! I’ll finish it to-morrow. But, say, let me have that as soon as you can. Butterfield is going to trade me for it.”

“I’ll be done with it this afternoon.”

“Then bring it to-night, when you come to the show.”

Victor’s face fell.

“I will if I come,” he replied, slowly.

“If you come!” Sam’s eyes opened widely. “You don’t mean to say you’re going to miss it?”

“Not if I can help it,” replied Victor, his face flushing: and to avoid being questioned further he hurried away.

 

(originally published in Golden Days for Boys and Girls, Vol. X, No. 49)

Edward Stratemeyer

For as long as I've been able to read, I've been a big fan of the Hardy Boys. I easily read over 150 of their books while I was a kid between the original series and the totally '90s Casefiles series. Flash forward to college, when I learned that something called the Stratemeyer Syndicate was responsible for loads of the series books that I remember from that time in my life—the Hardy Boys, Nancy Drew, Tom Swift, the Bobbsey Twins... The list goes on and on.

The Syndicate's army of ghostwriters cranked out hundreds of books over the years in a myriad of different series, but I've recently become more interested with the man where it all began, Edward Stratemeyer. Stratemeyer was a fairly prolific writer himself before he created his story-building factory, but most of his work remains fairly unknown. Largely in the mold of Horatio Alger (famous for his 1868 story Ragged Dick and the books that followed), Stratemeyer's stories tend to feature young men coming-of-age and/or going on adventures of one type or another, but what I like best about reading them is getting a window to the past. The vocabulary, the setting, the customs, the morals—like any works of fiction, they're written through a particular lens, but I find it's often a fascinating one.

Stratemeyer's earliest professional stories were serialized in a Philadelphia publication called Golden Days for Boys and Girls. As a rule, its publisher, James Elverson, didn't ever resell its stories, so they were never published anywhere else. The relative obscurity of these stories means that you can't even find them in places like Project Gutenberg, even though they've long since fallen into the public domain. I've got some time on my hands (IYKYK), so I'm going to work on transcribing and submitting the ones that I can find to PG.

As I work on them, I'm going to be posting my transcriptions here, and perhaps exploring a bit of the cultural context around these stories as we go. Let's start at the very beginning, as it's a very good place to start, so my next post will be chapter 1 of Victor Horton's Idea, a relatively short 14-chapter story. Stratemeyer's first professional story, the first three chapters were published in Vol. X, No. 49 of Golden Days, which has a publication date of Nov 2, 1889. For an inkling of what was going on in the world at the time, check out Wikipedia's overview because I don't know about you, but I don't know very much about the first Cleveland administration.

Monday, May 9, 2022

Hold Me Closer, Tiny Mama

Early this evening, M and I hit the AMC to see Céline Sciamma's (Portrait of a Lady on Fire) latest film, Petite Maman, which finally hit American theaters nearly a year after it was first released in France.



Clocking in at a brisk 72 minutes, Petite Maman is a wonderful little exploration of parent-child relationships.  8-year-old Nelly's grandmother has just passed away, and Nelly is helping her parents clean out the house where her mom grew up.  In the woods nearby, Nelly makes a new friend -- Marion, a young girl, also 8.  Marion just so happens to be Nelly's mom's name, and she just happens to live in the very house that they are cleaning out...

The many scenes of Nelly and young Marion (played by real-life sisters) playing together sparkle with joy, and although the story plays with themes of grief, loneliness, and depression, it's an altogether heartwarming experience.  I don't have any kids, but one of the things that the movie puts front and center, is a need for parents to share their humanity with their children.  Remember what it was really like to be a kid.  Tell stories with as much color as you can about your own childhood.  Build bridges of trust and understanding.  Your children aren't your equals, but that doesn't mean you always have to resort to preaching and teaching.

A New Leaf

One would think that being housebound because of the onset of a global pandemic would have been the perfect opportunity to revive this blog.  But no.  Instead, as we start to put COVID-19 in the rear-view mirror, or at least learn to live with it forever, I found myself tinkering with Blogger today in an effort to migrate this dusty old thing over to my real Google account, nearly five years after my last attempt to restart was hampered by having to juggle two accounts.

Friends, I am here to say that it was successful.  Welcome back to the Amber Tower.  I suspect you'll see a lot of capsule thoughts about movies here -- Meagh and I see an awful lot of them these days, since we signed up for AMC's A-List plan a few years back.  Outside of that, we'll see what the future holds.  I hope you enjoy.

Monday, September 18, 2017

mother!

Remember what I was just saying about screen addiction and my brain turning to mush?  Yeah... I'm going to come off like a pretentious douchebag, but I fear for the movie-going public of America if all of the 1-star reviews for Darren Aronofsky's mother! on IMDB are any indication.  Because so many people (including some in our screening) didn't seem to get the movie on any level, I'm going to ignore the surface-level story and talk about it as the metaphor that it is instead.  Although I'm confident that my old cast of regular readers here would be able to understand what's going on as the movie unfolds, I'm going to ensure it.  I wouldn't consider anything I'm about to say a spoiler.  These aren't twists; this is simply the context you need to understand to make sense of the movie.  Otherwise, you will find it hard to get any enjoyment out of it.

mother! tells the complete history of the Earth in microcosm, using various Biblical allusions to help mark the passage of time.  Don't worry, you don't need to be steeped in too much Biblical knowledge -- a basic understanding of the stories of Adam & Eve and Jesus are all that is needed.  God (Javier Bardem) is living in blissful tranquility with his wife, Mother Earth (Jennifer Lawrence).  They're all alone on Earth (their enormous house), and it's Mother Earth's job to build and maintain their domain ("building a paradise" as she says).  God is portrayed as a poet, who's had one great success in his career (Creation), but now has writer's block.  He begins to have a new idea when suddenly Man (Ed Harris) comes to the door; this is Adam.  I have confidence that you can take the rest from here.

The reason none of the above is a spoiler is because just playing "Spot the Metaphor" isn't what the movie is about.  There are a few different ways to read mother!, which I'll leave as an exercise to the viewer since that's where all the fun lies, but I tend to fall in line with Aronofsky's preferred reading.  You can watch his short Q & A from the screening at the Toronto Film Festival, if you want to know what that is.


I am a huge fan of Darren Aronofsky.  There's a reason that Meaghan and I chose him as the first director in the Decker Director Series.  I like to be entertained as much as the next person, but very few people today are able to use the Hollywood machine to create multi-layered movies that take some actual work to tease apart and fully understand.  We all need to be challenged sometimes, and Aronofsky consistently does this.

mother! is a fantastic movie.  Much like The Fountain, I can understand why it isn't for everyone... but it should be.

Sunday, September 17, 2017

Decker Director Series

Back in the summer of 2014, Meaghan and I started a weekly event series with some friends.  Here's how it works:
  • Pick a movie director who's made at least three feature-length films.
  • Put that director's movies in order chronologically and make a weekly viewing schedule.
  • For each week, pick a potluck dinner theme that corresponds to that week's movie or director in some way.
  • Get together with friends, eat good food, and watch good movies.
  • Repeat.
Three years later, we're still going strong.  So far, we've watched all of the movies of Darren Aronofsky, Sofia Coppola, Lenny Abrahamson, Frank Darabont, Ridley Scott, Ben Stiller, Ang Lee, Sarah Polley, David Lean, and Lynne Ramsay.  We're currently working on both Hayao Miyazaki and Woody Allen.

If any of our directors puts out a new movie after we've completed their filmography, we organize a "field trip" to see it in theaters, usually on opening weekend.  I'm bringing all of this up now because the director that we started this whole thing with, Darren Aronofsky, has a new movie in theaters this weekend, mother!  We're going to check it out this afternoon, so hopefully I'll be able to put some words together about it tonight or tomorrow.  It's supposedly a pretty difficult film; I'm looking forward to exercising my brain with it.



If you have any suggestions for directors we should check out in the future, or want to share some fun things you've been doing with your friends, feel free to comment.

My Brain is Turning to Mush

I don't know if it's the fact that I'm getting older (I've now survived 38 years on the planet) or the constant exposure to screens in my life or the overwhelming disposability and superficiality of nearly everything in this world, but I can feel my ability to think creatively or critically slowly beginning to slip away.  I've tried my best to combat the cell phone addiction that's rampaged across this country over the last ten years, but even I have a smart phone now.  Don't worry; it's not that smart.  Even so, I find myself checking all the usual suspects like Facebook and Twitter once a day despite there not being anything particularly new or useful to be found on any of them.  It's a world of information and entertainment overload, only hardly any of the information matters.

Ironically, my solution for all of this is to re-open the Amber Tower for business.  Sorry in advance for overloading you instead, dear readers, but there's something about the act of putting words together in a coherent fashion that does something for your brain that nothing else can.  Even if no one's still watching for updates on this blog or ever reads what I have to say, it'll be good for me and that's what I need right now.